Reviews: Julie Keeps Quiet March 25, 2025 Leonardo van Dijl’s Julie Keeps Quiet is one of the more meditative sports films out there. The titular Julie is trying to stay focused on her skills and future as a tennis player while her club experiences some major turmoil. Continue Reading
Reviews: Helen and the Bear March 21, 2025 Alix Blair’s Helen and the Bear eschews politics (for the most part) and focuses on the intense, intimate relationship between former Republican Representative Pete McCloskey and his second wife Helen, the director’s uncle and aunt. Continue Reading
Reviews: AUM: The Cult at the End of the World March 19, 2025 Final Rating: 2/5 On March 20, 1995, sarin gas was released on three lines of the Tokyo Metro by members of the new religious… Continue Reading
302: Best Films of 2024 March 18, 2025 Now that Oscar season has come and gone, it is finally time to put a bow on the films from 2024. We rank our top 10 films of the year. Continue Reading
Reviews: La Pecera (The Fishbowl) March 17, 2025 There’s a lot to like about Glorimar Marrero Sánchez’s La Pecera (The Fishbowl), from the performances to the cinematography. Continue Reading
Reviews: Nightshift – 4K Restoration March 14, 2025 Recently, the Lightbox Film Center, in collaboration with the British Film Institute and Cinenova, restored Nightshift directed by Robina Rose. Continue Reading
Reviews: The Electric State March 14, 2025 Art at its best offers a new perspective, even when the subject of that art is nothing new. There’s simply no heart to The Electric State, and it grows old fast. Continue Reading
Reviews: Can I Get A Witness? March 12, 2025 Final Rating: 3.5/5 Director Ann Marie Fleming’s first feature film in eight years is a soft science fiction film that leaves plenty to chew… Continue Reading
Reviews: Shepherds (Bergers) March 11, 2025 Mathyas, a Montreal ad man, has up and left his life to move to France in the hopes of becoming a shepherd in Provence. Continue Reading
Reviews: The Rule of Jenny Pen March 10, 2025 In some ways James Ashcroft’s The Rule of Jenny Pen holds up a dark, funhouse mirror to recent octogenarian heist film Thelma. Continue Reading
